Lunga Sazinge was born and grew in South Africa in the province of the Eastern Cape (Mthatha), he studied  Management assistant studies at Westrand college in Carletonville, South Africa

He accepted Jesus Christ as his Lord and became  born again in 1999.

Lunga  started evangelism in South Africa in 2001 and moved to the United Kingdom in 2005. He has visited many cities in The UK in the last few years

He is now the Founder and Pastor of City to City International revival that was launched in 2014.

He received the vision of City 2 City international revival in 2013 and the mission was to spread the good news across the UK and around the world, to unite churches and leaders and to win lost souls and nature them for the kingdom of God.

Dear Family and Friends,

I will be one of The Key Speakers at The AFRICA DAY CELEBRATIONS organized by THE UNIVERSAL PEACE FEDERATION , which will be taking place on Saturday the 20th of May at The Universal Peace Federation Headquarters in London .

Other KEY SPEAKERS will include Dr Yehoeshahfaht, Ben Israel, Henri Pierre Koubaka (TBC), Charlotte Simon: Founder, Mothers of Congo, Ibrahim K. Ibrahim Asante: Chairman, Significant International Group (SIG) and Simba Smp: Media Director, Pan-Africanist and Writer
Africa Day is a wonderful opportunity to celebrate the achievements of a fast growing continent.
Please come and celebrate with us. Kindly register to reserve your place NOW.
Use the link below

Hugh Masekela is a world-renowned flugelhornist, trumpeter, bandleader, composer, singer and defiant political voice who remains deeply connected at home, while his international career sparkles. He was born in the town of Witbank, South Africa in 1939. At the age of 14, the deeply respected advocator of equal rights in South Africa, Father Trevor Huddleston, provided Masekela with a trumpet and, soon after, the Huddleston Jazz Band was formed. Masekela began to hone his, now signature, Afro-Jazz sound in the late 1950s during a period of intense creative collaboration, most notably performing in the 1959 musical King Kong, written by Todd Matshikiza, and, soon thereafter, as a member of the now legendary South African group, the Jazz Epistles (featuring the classic line up of Kippie Moeketsi, Abdullah Ibrahim and Jonas Gwangwa).

In 1960, at the age of 21 he left South Africa to begin what would be 30 years in exile from the land of his birth. On arrival in New York he enrolled at the Manhattan School of Music. This coincided with a golden era of jazz music and the young Masekela immersed himself in the New York jazz scene where nightly he watched greats like Miles Davis, John Coltrane, Thelonious Monk, Charlie Mingus and Max Roach. Under the tutelage of Dizzy Gillespie and Louis Armstrong, Hugh was encouraged to develop his own unique style, feeding off African rather than American influences – his debut album, released in 1963, was entitled Trumpet Africaine.

In the late 1960s Hugh moved to Los Angeles in the heat of the ‘Summer of Love’, where he was befriended by hippie icons like David Crosby, Peter Fonda and Dennis Hopper. In 1967 Hugh performed at the Monterey Pop Festival alongside Janis Joplin, Otis Redding, Ravi Shankar, The Who and Jimi Hendrix. In 1968, his instrumental single ‘Grazin’ in the Grass’ went to Number One on the American pop charts and was a worldwide smash, elevating Hugh onto the international stage.

His subsequent solo career has spanned 5 decades, during which time he has released over 40 albums (and been featured on countless more) and has worked with such diverse artists as Harry Belafonte, Dizzy Gillespie, The Byrds, Fela Kuti, Marvin Gaye, Herb Alpert, Paul Simon, Stevie Wonder and the late Miriam Makeba.

In 1990 Hugh returned home, following the unbanning of the ANC and the release of Nelson Mandela – an event anticipated in Hugh’s anti-apartheid anthem ‘Bring Home Nelson Mandela’ (1986) which had been a rallying cry around the world.

In 2004 Masekela published his compelling autobiography, Still Grazing: The Musical Journey of Hugh Masekela (co-authored with D. Michael Cheers), which Vanity Fair described thus: ‘…you’ll be in awe of the many lives packed into one.’

His story is far from over, and as Bra Hugh approaches his 75th birthday he shows no signs of slowing down. He maintains a busy international tour schedule as his fan base around the world continues to grow.

In June 2010 he opened the FIFA Soccer World Cup Kick-Off Concert to a global audience and performed at the event’s Opening Ceremony in Soweto’s Soccer City. Later that year he created the mesmerizing musical, Songs of Migration with director, James Ngcobo, which drew critical acclaim and played to packed houses. Songs of Migration will visit Amsterdam, London and Washington in October 2012.

In 2010, President Zuma honoured him with the highest order in South Africa: The Order of Ikhamanga, and 2011 saw Masekela receive a Lifetime Achievement award at the WOMEX World Music Expo in Copenhagen. The US Virgin Islands proclaimed ‘Hugh Masekela Day’ in March 2011, not long after Hugh joined U2 on stage during the Johannesburg leg of their 360 World Tour. U2 frontman Bono described meeting and playing with Hugh as one of the highlights of his career.

2012 has already been a busy year with Hugh just returning to South Africa from touring Europe with Paul Simon on the Graceland 25th Anniversary Tour. He has opened his own studio and record label, House of Masekela which has already put out its first release: Friends – a 4 CD collection of jazz standards featuring his dear friend, pianist Larry Willis.

Hugh is currently using his global reach to spread the word about heritage restoration in Africa – a topic that remains very close to his heart.

SOURCE –  Hugh Masekela Website

UTTERANCE

I was drunk last night
from the keg of uttering pots
whose marrows shone
like pieces of piercing diamonds
on bended wooing knees
smiling in absent smells
of waiting kisses
and passing rush.

I was drunk last night
like a broken poet
in egg shells,
when I sang utterances
in the tunes of a gypsy song
who danced in ashes blood
of boiling incense

but why
would she make me wait
at the breast of another bread –
where the milk
is but a shadow,
and vapours stand
for sailing passion
with: “angels on
my pillows?”

and now
we would make
the liquor whisper
in voices unheard
at the sudden enchantment
of swift influences

I was drunk last night –
stuck between
the ancient crush
and this brazen me

and let The Spirit
and let the voice
become One
in my Utterance

and maybe someday
when blood
is made flowers,
I shall say the parable
of the broken kolanut.

-Kenneth Christie-Atiti.

BEFFTA award-winning Eric Reverence is one of the best and established upcoming UK artists with a style of music that has touched many lives. His team consists of a multi-national team of talented singers and musicians who are in tune with his vision to lead others to a life of true worship. His heart and passion is to fulfill what God has called him to do which is produce songs for everyone’s needs, empower and build others, especially young people with musical talent and to help them to fulfill the purpose of God in their lives.

A true positive role model, Eric has just received a prestigious nomination at the 2017 National Diversity award for his endless work with the youth which he has carried out for over 20 years. He works with the hard to reach target group, also know as the N.E.E.T (Not in Education, Employment, Training) and engaging with them and getting them back on track in life. He has done many workshops with them about life skills to build their confidence and develop the skills needed to get into education, employment or training.

Eric’s Single ‘I Give You My All’ has touched many lives and is currently being heard Premier Radio and UCB Radio. He has also appeared on a number of television and radio stations including UCB TV, Premier Radio, Believe TV and Ukentv. Eric’s achievements within four years as artist include a semi-finalists in the UK Gospel Competition, appeared as special guest artist on televised events including Just Out Of This World Final. He has ministered in various cities and towns around the UK and overseas including, Pentecost Festival, Camden Festival, Sommerset Conference and Gospel Corner at Notting Hill Carnival. His rise to success has also seen him tour and ministered at international events in the world including USA, Canada, Netherlands and Ghana .

The award-winning artist is well known for writing and composing simple and easy to learn contemporary praise and worship songs and these songs has been a hit at every event he has ministered. Eric has now released his new Single and EP titled. ‘I will carry on’ from his Live Recording Event in April 2013 and this includes music videos. In August 2014, Eric performed at the African Gospel Music Awards (AGMA) 2014 as a special guest, was also nominated for an award for Best Group of the year at Gospel Touch Music Awards and also performed as a special guest.

Eric has completed a successful charity tour in Ghana and looking forward to major tours across the globe. He also aims to release his new album in Summer 2015 followed by a tour.

THE MISSION

Eric Reverence mission is:

• To work with charities and orphanages and raise finance for a good cause
• To bring others in connection with God through songs he has written.
• To develop and produce songs that individuals/church organisations can use for their daily personal devotional needs or praise and worship
• To empower and build others, especially young people with musical talent/gifts and to help, nurture and develop them.

AWARDS & ACHIEVEMENTS

– BEFFTA AWARDS 2016 (Best Male Gospel Act)

– PraiseTek Gospel Music Awards 2015 for Praise & Worship Artist of the year (Awarded)
– PGM Ambassador for UK 2015 (Awarded)

– Gospel Touch Music Award nominee 2014 for Best Group of the year

– Performed as Special Guest artist at Gospel Touch Music Awards 2014

– Performed as Special Guest artist at AGMA Awards 2014

– Performed as Special Guest artist at Just Out of This World Awards 2011

– Finalist at Gospel Rock Competition 2010

SINGLE & EP

I WILL CARRY ON SINGLE

I WILL CARRY ON ALBUM

Available to purchase on iTunes

MUSIC VIDEOS

*YOU ARE*
https://www.youtube.com/watch?v=nQHwYDgmBBg*

*I WILL CARRY ON*
https://www.youtube.com/watch?v=t129395epUE

*I BELONG TO YOU*
https://www.youtube.com/watch?v=Y2o8xL3Zcx0

SPONTANEOUS WORSHIP DOCUMENTARY

https://www.youtube.com/watch?v=7-7iGa-3DWY

*I WILL CARRY ON MUSIC VIDEO *
https://www.youtube.com/watch?v=xzBU43t5wWw

*GHANA CHARITY TOUR SNIP**PET 2013 (The quality of some of the sound and
picture of this clip is not that great)*
https://www.youtube.com/watch?v=zYkWfNlZzPg

SOCIAL MEDIA LINKS

Web:www.ericreverence.com (currently being updated)

www.sworship.com (currently being updated)

Facebook:https://www.facebook.com/reverence.eric

https://www.facebook.com/sworshipevent/

https://www.facebook.com/EricReverenceMusic/?fref=ts

Twitter: https://twitter.com/Spontaneous_16   

ANOTHER AFRICA

Africa has become a grey haired toddler
on her mother’s broken back
whose many pampered thoughts
make for owned clanging chains

Africa whose cry was strong
at early birth on crown’s night
only now drinks the infant milk
from soured breast at nipples grave

Africa has lost her coloured face
in the drunken scotch of timely mesh
and staggers amongst faint inanities
where cowries are stones at road sides

He loved her
but she lied
and only asked:
“what have you done for my
father who brought me forth, and my mother who holds me still?”

and then these maiden men
singing praises of
their many manly maids in mass contortions not like the harmattan wind

Africa bears not her own burden
but is frozen in delightful myrrh
where her native strength of old
is far sunk in wintry cold.

-Kenneth Christie-Atiti.
©2017.

MUSIC SPOTLIGHT – IN REMEMBRANCE OF SONNY OKOSUN, THE LEGACY OF AN AMAZING MUSICIAN

Sonny Okosun towers among the giants of contemporary Nigerian music — assigning his signature fusion of reggae, highlife, Afro-funk, and traditional melodies and rhythms the catchall description “ozziddi” (or “message”), he tackled head-on the most incendiary political and social issues gripping the African continent. Born in Enugu, Nigeria, on January 1, 1947, Okosun was the son of musicians, although his chief formative influences were rockers like Elvis Presley and the Beatles. As a teen he taught himself guitar, and in 1964 founded the Postmen, a British Invasion covers band; a year later Okosun visited London for the first time as part of a theater group. In the wake of the early-1966 government coup d’état that led to the Biafra conflict, he and his family settled in Lagos, where he forged a career as a television actor. Okosun returned to music in 1969 as a member of Victor Uwaifo’s Melody Maestros, a group noted for its contemporary pop approach to traditional Nigerian music. After touring Japan and Europe with the group, he formed his own psychedelic rock unit, Paperback Limited, which he helmed until 1974. Upon dissolving the group, Okosun again reinvented his approach, this time channeling influences like soul, funk, and reggae — the resulting group, dubbed Ozziddi, crystallized the progressive musical and lyrical path he followed throughout the remainder of his career. “All my mates were singing love songs,” Okosun later said. “I was trying to talk about what was happening to black people.”

With 1976’s “Help,” Ozziddi scored their first major African hit, and a year later reggae giant Eddy Grant mixed their LP Papa’s Land. Follow-up Fire in Soweto was recorded in London and scored via the title track, which protested apartheid abuses in South Africa. Okosun nevertheless sidestepped the militant politics of contemporaries like Afro-funk icon Fela Kuti, promoting African unity and black pride over radical broadsides. After completing work on 1978’s Holy Wars, Okosun toured Nigeria with reggae greats Jimmy Cliff and Toots & the Maytals. With 1981’s Third World, Okosun inked a licensing deal with London indie Oti, with the U.S. imprint Celluloid agreeing to reissue Togetherness two years later. In 1985 he reached the apex of his international fame as the lone African artist to contribute to the all-star anti-apartheid album Sun City, and a year later his “Highlife” featured in the Jonathan Demme-directed feature film Something Wild. By the late ’80s Okosun‘s popularity was waning, but in 1994 he resurfaced with the comeback vehicle Songs of Praise. In all he recorded more than three dozen LPs over the course of his career, with sessions cut in locales ranging from the U.S. to France, and maintained a high profile at world music festivals across the globe. After battling colon cancer, Okosun died in Washington, D.C., on May 24, 2008.

CULLED FROM “ALL MUSIC ”

DEAR FAMILY AND FRIENDS,

WISHING YOU ALL A HAPPY NEW MONTH FILLED WITH GREAT MANIFESTATIONS, SUCCESS STORIES AND GOOD HEALTH.
BELOW ARE MY SERVICES FOR THE MONTH OF MAY ALSO WATCH THIS SPACE FOR UPDATES ON A WIDE RANGE OF SERVICES PROVIDED BY THE AFRICANS IN THE DIASPORA ONLINE NETWORK

I am Dean Okai, I am 42 years old and originally from South London. I grew up on two housing estates in South London until I moved out of my Mother’s house at 18. Young Men don’t necessarily make the best decisions and me moving back to New Cross to be around certain friends wasn’t the smartest.

Within a couple of years I can say that I was surrounded by petty criminals on the establishing rungs of the ladder. Yet regardless of the environments and circumstances I found myself, I always knew exactly who I was going to be and where I was going to be. I had that same spirit in school, when I would hear teachers tell me I couldn’t do this or that.

There was never a stage in my life when I would base what I was capable of, based on other peoples limitations. Everybody you come across that is threatened by your confidence will try to convince you out of your position, by selling you fear and doubt. Don’t buy it, there is something innate in your spirit that knows your path and destiny.

Having established that at my core I was always a big brother and an entrepreneur, I made a decision that no matter how many businesses I had that went down and how much I lost a by product, that I would never sit still and continue evolving and sharpening my pencil with regards to mastering business processes and acumen.

In the year 2000, I lost two phone shops in South London after three burglaries that left me with £260 in my pocket. My MO was always to get a job for six months and take advantage of all of the resources around me to re-establish myself and save the stake money to bet on myself again. I’d make myself as small as possible and save until I reached my number and then leave for another Dean Okai adventure.

You will find a common thread with many entrepreneurs in that we have had many incarnations to give us 10,000 hours of practice, to master our environment within the business landscape. There is nothing easy about being in business, because as business people we are choosing to be problem solvers. When you look at the matrix of challenges in front of you such as a shrinking economy, new technology that reduces your customer base, marketing that has become more streamlined to attract niche markets, all whilst paying the commercial land lord, who is raising the rent.

Did I mention that you have to do all of this and manage the dynamic of personalities within our companies and manage Family life at the same time. Having a job is not practice for running a business. This upsets many people with jobs, who have aspirations to get off the plantation and become architects of their own destiny. You need to just do it. Do your research, surround yourself with expertise, emerce yourself in the industry you want to enter and be aware that you have a number of transferrable skills.

Because of my experience I have always been aware that I had a number of transferrable skills, which is why I never listened to anyone else about the limitations of my capabilities. I was encouraged to get a job and work for someone else from my earliest memories, this is how we first betray our children, which is why I home school my son and enable him to be an entrepreneur.

Getting around to my current business, Suits Direct on Camden High Street, which was only an opportunistic means to an ends to provide a daily income, whilst pursuing everything else that I do. It provides me with choices that enable me to advocate on the ‘Transition of the Black Pound’ projects, raise and spend time with my son to guarantee that he will permanently be his own boss. As Black people we need to practice self preservation that serves our Families and our collective interests first.

As Men we are obligated to pay the rent and feed our Families, whilst climbing the ladder to fulfil our dreams. Being an entrepreneur is the perfect way to do that, which is why I advocate for teaching our children to be financially literate and run their own businesses. From the age of 9 I always wanted to work for myself, inspite of the fact that my Mother always encouraged me to get a proper job. My son will never know the pressures of those conflicting interests and be happy to follow the desires of his heart.

Dean Okai

The City of London came alive on Saturday the 30^th of may, as heavyweight champion,  Anthony Joshua defeated Wladimir Klitschko at The National stadium in Wembley in a thrilling bout filled with colour, action and drama

Joshua has achieved 19 stoppages in 19 contests in his four year career and he managed to finish off his counterpart in the 11^th round.

Although winning did not come easy , the triumph of this young man continues to unfold gracefully